Alexandra Carter admits that minimal art was never an option. Using alternative media and surfaces that emphasize visceral marks, her work is a blend of painting, drawing, print media, collage, and performance. More often than not, Carter’s choice of material is a statement in and of itself—calling attention to the process of making art and highlighting its messiness.
Born in 1985 in Boston, Massachusetts, and currently based in San Diego, California, her practice pushes the possibilities of painting, as she creates new textures, and plays with color and ink. Her paintings are usually made using layers of puddled pigment and collaged imagery. The paint tends to puddle and bead on its surface, allowing her to explore its liquid form.
The distinctive quality of her work is especially present in a painting series in which Carter uses cranberry juice instead of paint. The choice of cranberry isn’t accidental and refers to her family history, given that Carter comes from a family of cranberry farmers in New England. Exploiting the staining effect of the juice, she stains antique linens and pillowcases.
“Abstract and minimal work never seemed to be an option for me,” she told the Exeter Bulletin. “I needed more to hold onto … I think it’s necessary to investigate the stories we grew up with, and other stories that have been told throughout history, and how those have shaped us. That’s why imagery from mythology, folklore, and fairy tale has had such a presence in my work.”
While the finished product might not be for everyone, it’s originality is worth noting. Scroll down to see some of her more incredible pieces.
